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Being a visual effects supervisor is more than just coordinating artists, it's solving problems.
Ideally the VFX supervisor is brought in for the pre-production phase where I would coordinate with other departments to see where vfx and practical elements merge. On set during production, myself and potential team will collect on set data to be used in the post production process and coordinate with the camera department to make sure everything is shot in a manner to best assist the vfx artist/artists. During post-production, with my connections to various vfx houses outside of the country, I will handle putting together your vfx team at the lowest possible rate and will coordinate all the vfx side of the post-production for you. All you need to do is communicate your needs to me and I will handle the rest.​
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What separates me from the rest is my knowledge not only in all stages of the vfx process from fx to cg and shading to compositing, but my intuitive knowledge in all aspects of film making. This allows me to properly oversee every level of the vfx process in post-production as well as properly supervising my department on set and being able to adapt and make adjustments where needed on the fly.
On-Set VFX
SUPERVISOR
Being a visual effects supervisor is more than just coordinating artists, it's solving problems.
If you solely need someone to be on set during production to make sure everything is properly captured for vfx artists later on, I would be more than happy and capable to help you. I of course have the usual gear such as a HDRI chrome and matte sphere and Macbeth color charts, but I also have lidar scanning equipment and 360 degree cameras and witness cameras.
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Having a extensive vfx background and knowledge in all areas of the vfx pipeline allows me to know exactly what data your vfx artists will need from set as well as how they are going to want you to shoot it and organize it.
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Time on set where a vfx shot is not being filmed I will spend collecting as much on set data as possible (3D photogrammetry and lidar scans, photos, videos, etc.), organizing data collected and creating vfx mockups from dailies that can be super helpful when presenting them to future vfx artists.
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No 'free time' will be wasted.
Compositing
Being a visual effects supervisor is more than just coordinating artists, it's solving problems.
Contrary to what people outside of the vfx space might believe, I strongly believe that compositing is both the most important stage in the vfx process as well as the most difficult to master. A good compositor, when provided with the correct data and cg passes, can both elevate a fully cg shot way beyond what came out of the render as well as create vfx shots much more believable than what most cg artists can create, but even more important, a good compositor with a properly set up comp can allow for quicker turn around times and revisions than what can be provided from cg artist and their renders.
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I have more than 10 years behind my compositing skills and I know tons of tricks of the trade to help deliver your vfx shot to you quickly and with professional quality.
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I have the ability to create professional composites and I believe that comes from my creative technical thinking, problem solving and familiarity with the software and tools, but I also believe it comes from my ability to know when something looks right and more importantly when and why something looks wrong.
CGI, FX and
Simulations
Being a visual effects supervisor is more than just coordinating artists, it's solving problems.
As a seasoned visual effects artist, I specialize in creating cutting-edge CG environments, photorealistic FX, and dynamic simulations. Whether it's crafting lifelike digital characters, generating complex particle systems, or simulating natural elements like fire, water, and smoke, I deliver high-quality visual effects that enhance storytelling and elevate your project to new heights. My expertise in industry-leading tools ensures seamless integration of visual effects into live-action footage, providing a polished and immersive final product tailored to your creative vision.
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Having knowledge of the the whole vfx pipeline and what passes and data the compositor will want from me as a cg artist allows the whole vfx pipeline to work quickly and efficiently.
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